American Film Market Cancelled but Offering Free Credentials to Buyers for Virtual Market


The American Film Market has announced that all approved buyers will receive complimentary credentials for its Virtual 2020 edition on November 9-13. 

 The IFTA announced last month that it would not keep the physical sales market. Following in the footsteps of the virtual market in June. It also moved the market a week back to avoid a conflict with Election Day 

Buyers’ credentials will provide access to the AFM online platform, which includes exhibitions in the on-demand theater, all exhibit pages, my AFM profile, and connection platform, and a five-day live session. 
 

“AFM 2020 Online is an exciting opportunity for us to fully embrace buyers from all over the world, especially those who cannot travel to Santa Monica.” Michael Ryan, IFTA Chairperson, and partner at GFM Films said. He said that the need for these five days dedicated to the rapid transformation of the industry and the reunification of those free from challenges and running a business is even greater. On behalf of the IFTA Board of Directors, we look forward to welcoming every buyer online to AFM in November. 
 

AFM is one of the key selling markets for the independent film industry, with the Berlin Film Festival in February, the Cannes Film Festival in May, and the European Film Market with Toronto Intel Film Festival in September. The cover was moved to Cannes Virtual Festival due to a virus epidemic and the upcoming TIFF has been rapidly reduced in size and scope. 

 

Taking a Second Look: The Howling

 

The Howling(1981)

Directed by Joe Dante

Starring Dee Wallace, Patrick Macnee, Christopher Stone, Dennis Dugan, Belinda Balaski, and Robert Picardo

It’s been awhile since I’ve seen The Howling, so I decided to watch it again to see if my opinions have changed. However, after giving it a second look, I have to say that I surprisingly still enjoyed it.

This movie is a well-written werewolf horror story. Not only is the story engaging, it is an interesting commentary on the dynamics of civilized behavior vs animal behavior. Which behavior is more natural? How do you balance the two? Should you repress one type, and if you do, which one should you repress? The Howling, in my opinion, brings these types of questions to mind.

Not only do you get the thought-provoking questions, you also get some good scares and some decent practical effects.

So if you haven’t watched a werewolf movie in awhile, The Howling comes highly recommended. My score: 8.5/10(purchase worthy)

Underrated Gem to Watch: Rabid (2019)

Rabid (2019)

Directed by Jen and Sylvia Soska

Starring Laura Vandervoort, Hanneke Talbot, Ben Hollingsworth, and Ted Atherton

I just saw the remake of Rabid(2019), and this movie left a lasting impression on me. This is a very well-written “zombie-like outbreak” movie!

Not to give away any spoilers, but the basic premise involves a woman who is badly scarred from an accident. Unable to pay for the surgery, she goes to a clinic to be a subject of a regenerative therapy experiment. Unfortunately, the experiment produces some unexpected results.

Rabid has some great acting, good tension, an engaging story, and some good practical effects. There is a part of me that wished that it had more graphic kills, but overall, this film definitely held my attention. And let’s not forget Rabid’s surprise-twist ending..it makes you wonder if there would be a sequel.

Overall, this comes highly recommended if you’re a fan of zombie-like horror films. Add this one to your collection.   My score: 8/10 (purchase-worthy)

Christopher Levy Launches CINEFLIK a new streaming service that cares


The film industry is ruled by companies that value corporate gain over artistry and films that tell real stories. These companies don’t give independent filmmakers a chance. In a time where it is so important that voices are heard through the imaginative minds of the creatives out there with a dream. 
 

I have been in the film industry for two decades. I have seen how they operate with a tunnel vision focus on numbers and sales. Large studios and others are taking advantage of independent filmmakers. They are not given a fair chance to showcase their talents, and they are not being adequately paid for their art. I have been a producer for several studios and I have seen how they turn everything into numbers. There is no creativity, there is no freedom. Everything turned into a walking barcode that depicted your worth. All you look for is the next “big hit”. The old saying that you are as good as your last movie constantly in playback in your head. 

I quit everything in 2019 and set to reinvent myself and what I stand for. I started my own production company to seek out true talent with beautiful stories, now adding to the distribution side, having a presence in Cannes, Berlin, and L.A’s AFM. It is not enough that these films are being made, but they deserve the opportunity to be seen.

CINEFLIK is a streaming service built for people who want exposure, a platform to showcase creativity and talent. Whilst we are not as established as Amazon, HBO max, and others, what sets us apart is that we care. We care about the integrity of filmmaking and the efforts that you have put in, as an artist to create these films. You are not just a number to us, we will also put in our all to make sure your story has the opportunity for maximum exposure. That is why I have also partnered with INFILMS Magazine to promote filmmakers. 

A streaming service that cares about art and also the filmmakers 

With CINEFLIK, the film owners decide on the price of rental and receive a cut of 80%. We will give you a fair price because we understand how other larger companies will try and take advantage. We will not compromise the opportunity for distribution with fair compensation. For example, Amazon pays only 6 cents per hour, for up to 99,999 hours streamed in a period of 365 days, tied in with an exclusive rights clause. Not only are they taking advantage, but they are making sure that you are legally unable to sell or share your stories with others. If you rent your film for $1.99, you will get $1.59 with CINEFLIK as opposed to $0.06 you would get from Amazon, with 100 downloads is a difference between $159 and $6 with Amazon.
We only keep 20% to maintain the site.

Unlike other services we also don’t follow a set of rules and requirements that may restrict distribution. For instance, Redbox has a list of preferred titles and requests, like; Action genre with a recognizable cast, supernatural horror, and family films that are animated standalone features. They only accept “new” titles that have been produced in a rolling two-year time span, they don’t consider films that have previously been available on DVD or via SVOD streaming services, NC-17 ratings and features under 80 minutes are out of the questions and don’t even think about direct television in the Comedy or Drama genre or Foreign Language films or Documentaries. With all these restrictions, they are not accepting of a variety of content, effectively closing doors to many filmmakers. On top of that, they set the price and pay around $2.75 to $3.50 per disc, this is largely dependent on the cast, genre, and a fit for their customers. A factor that is completely determined by themselves, which doesn’t sound fair at all. The film owners would have to pay for the DVDs and they would have complete control of how many times your movie is rented. We do not want to go down this path, CINEFLIK is fair, we set the pricing together with the film owner, we respect that they deserve to have their films and shows distributed at a fair price. We respect and accept all submissions of genres, the audience is always evolving and we want to anticipate what they want by providing a range of films and shows. 

This marks a new chapter to promote independent filmmakers in a way that does not involve bias or pure judgment of how much money they can generate. CINEFLIK carries everything, including, Classic Movies, Independent Films, short and full-length Features, as well as all genres of Television shows. We embrace creativity and have a thirst for real stories and originality. We want your trust in your films. Let us take you onboard and together we can discover a whole new audience for you. I am excited about the future, we can challenge the underlying issues of the film industry together and pave the way for real stories and talent that is often overlooked by Hollywood executives. 

Let’s take this challenge on together, no more waiting, no more negotiations, no more banging on the wrong door. We are here to make it happen.

You can access CINEFLIK here http://www.cineflik.com
Membership is always free.

Taking a Second Look: The Cell(2000)

The Cell(2000)

Directed by Tarsem Singh

Starring Jennifer Lopez, Vince Vaughn, and Vincent D’Onofrio

I’ve seen The Cell for the first time in about 20 years and I am still quite impressed with it. What makes this movie interesting is how it explores the subconscious of the human mind.

The Cell is about a social worker named Kathryn who, via technology, goes into the imaginations of her patients to help them with their inner turmoil. The FBI, aware of her expertise, asks her to go into the mind of a comatose serial killer named Carl in order to find his latest victim.

I don’t want to give away any spoilers, but what made this film impressive was the story, characters, and in particular, the special effects.  The visual effects were used very effectively in giving us a real sense of Carl’s mental state. They were also used very successfully to show how we visualize who we are, and as a result, internalize it.

If you’re in the mood for a good psychological thriller/horror movie with a bit of sci-fi, The Cell comes highly recommended. My score: 8/10(purchase-worthy).

A Look Back: The Exorcist

The Exorcist(1973)

Directed by William Friedkin

Starring Jason Miller, Ellen Burstyn, Linda Blair, Max Von Sydow, and Lee J. Cobb

I’ve finally checked out The Exorcist for the first time, and I feel that if you want to see a well-written horror movie, this comes highly recommended.

I think everyone is familiar with the basic premise, but it’s basically about a mother who enlists the aid of a priest to exorcise(no pun intended) the demons who possessed her daughter.

This movie has a well-paced story, great acting, and an ending with an unexpected twist. All of the performances were well done, and I felt that Linda Blair’s performance was particularly impressive. Her role as the possessed young girl truly conveyed an eerie, creepy, and at times, brutal feeling. The overall story kept me engaged, and the special effects were top-notch. Also, I’m glad that the filmmakers did not resort to a neat, clean, and happy ending. Instead, we were given ending scenes so shocking and unexpected that I’m curious about the sequel.

There is a lot that can be said about The Exorcist, but I will say that if you haven’t seen this one, check it out if you’re interested in a great horror experience. My score: 9.5/10(Purchase level)