Category Archives: Science Fiction

Los Angeles Sets Strict Rules for TV and Film Production Restart

With many countries now switching from total lockdown to partial lockdown, many activities have now been allowed to resume albeit under strict and extensive regulations.

Film and TV Productions is one such activity set to resume again in some states as early as Friday although with extensive regulations issued by Los Angeles Country. This new extensive regulation is not much of a surprise considering professional football has also restarted behind closed doors.

While productions are allowed to restart Friday, 19th of July, many producers would probably only start filming around July or August.

As would be expected, the first major rule is for cast and crew to maintain social distancing while on sets. The county also sets the use of face masks and coverings as an important detail not to be overlooked by cast and crew members as actors and musicians who cannot perform with face-covering on are expected to be eight feet apart. Furthermore, it mandates that only essential cast crew be present on set at any given time with the directive that actors must wash their hands before shooting any scene.

Also, it discourages all prolonged physical contact that arises from sex and fight scenes and mandates that all actors and crew keep information about any film shooting from the public. The country also directs that all crowd scenes are discouraged.

The rules also direct that makeup artist are only allowed on set when the actors cannot apply makeup to fit the scene. Also, Craft service buffets are temporarily forbidden on all sets.

Talk Shows and Sitcoms also looking to film new scenes in Los Angeles that must follow new rules. The rules now mandate that audience members must sit six feet apart and must not occupy more than 25% of the available space. It also allows paid staff and crew to serve as audience members. And capping it all, the rules set that only the same group of the audience present at the restart of filming are allowed for subsequent productions.

Although the entertainment industry released some rules for crews and cast to follow when production restarts, the rules released by the county are more strict. This is because the entertainment industry task force didn’t mandate many of their rules like the county did.

Following the release of the entertainment industry’s rules and guidelines, Donna Langley – Chairman Universal Film, stated in a statement that the rules, in his words, are “a significant step in getting our industry back to work in Los Angeles County”.

In his statement, the chairman expressed gratitude to the County Board of Supervisors as well as the county’s mayor for their commitment to the region’s economic recovery. He also expressed gratitude to the County’s Public Health Department for their efforts to keep their region safe. He then went ahead to say “Teams across the Studios, production companies, guilds, and unions in every facet of our business have shown and will continue to show innovation and creativity in bringing film, TV and digital production safely back to Los Angeles”.

Though production restart is imminent, there are still several things that will come into play which might delay restart to mid or late August. One of the obstacles production restart faces includes the detailed protocols all guilds and unions are yet to agree to.

Another major obstacle many productions will face pending the restart is whether or not they will be able to obtain insurance. Bob Jellen, the managing director for entertainment at HUB international believes many productions that were underway before the lockdown would be spared from “additional costs that are required to make filming safer for the actors and crew”. In other words, this obstacle is only for new productions that have not yet started filming before COVID-19 lockdown that caused productions to stop. Obtaining insurance is even going to be more difficult for independent filmmakers.

Many in the film making industry have expressed concerns about the difficulty many new productions will face when trying to secure insurance. To this end, Congress has introduced a bill that gives insurance companies the power to sell policies covering the coronavirus shutdown. The bill, however, is yet to pass.

“As the Earth Turns” – 80 years-in-the-making award-winning silent Sci-Fi film!

The stock market has crashed, the economy is failing, there is political turmoil around the world.  As much as this sounds like today’s news headlines, this is the the world of a young man in the Pacific Northwest over 80 years ago.


In 1937, in Seattle, a twenty-year old budding filmmaker using his own equipment, had already created 58 plays and 9 never released, award-winning films. This director would go on to work for Disney Studios, and direct and edit a 1950 Academy Award Documentary. Richard H. Lyford’s films have developed a following among film historians since his early “amateur” films are some of the first “indie” films ever created outside of Hollywood. Lyford experimented with special effects, and models, and was becoming an excellent director. His final and most challenging film of this era was “As the Earth Turns”, with a screenplay based on “The Man Who Rocked the Earth” by Arthur Train and Robert Williams Wood, 1915. It was filmed in the Pacific Northwest, in and around Seattle. “As the Earth Turns”, is presented for the first time after 80 years of development! To finish his vision, a professionally mixed orchestral soundtrack, by Pacific Northwest film composer, Ed Hartman has been added to the presentation.

“As the Earth Turns” is a 45 minute, sci-fi film that foresaw WWII, future- technology, climate change, and the extreme need for peace, as the world was drifting back into world war again.   The film has been in 121 festivals, and won 135 awards/nominations.
The main character, “PAX” (“Peace” in Latin), is played by Lyford, himself, a scientist who desperately wants peace. He uses climate-changing science to keep mankind from war. The lead actors are both male and female. The lead actress, Barbara Berger (AKA Barbara Berjer) portrays a hard-working newspaper reporter. Her strong character, “Julie Weston” leads the hunt for the villain all the way to the end of the film. Berger had a long career on Broadway and television (ironically including “As the World Turns”).

The acting is dramatic, professional and realistic. Lyford used early homemade FX including controlled dynamite explosions and miniature models similar to those used in “Flash Gordon” (1936 Serial). His make-up work was excellent (he loved Lugosi and horror films) and his framing of the picture is mature and developed. Lyford was very capable of directing his acting troupe, as well. A legendary location in Seattle, “Gasworks” was used for PAX’s lair. The film has similar themes to “Things to Come”(1936), “In Like Flint” (1967), and even a little “Austin Powers” (1997). Some of the dialogue seems to come out of the TV series “Star Trek” (1966), and even “Dr. Strangelove”(1964). The film was shot in B&W, but the last scene was shot color for dramatic purpose, foreshadowing “Wizard of Oz” in 1939.

“As the Earth Turns” is an example of a true “indie” film, completely shot outside of Hollywood. It is an amazing educational film for any filmmaker to learn from. This filmmaking had no sophisticated technology available. It has multiple- exposure
sequences (including a very professional title sequence), “day for night” shooting, simple transitions, and intense editing between live-action and miniature model sequences. Richard Lyford did his best with very limited resources. This film is a great lesson for anyone in media creation, today.

“As the Earth Turns” now available on Amazon.  Coming to Turner Classic Movies in the fall of 2020.  Other distribution TBA.
https://www.amazon.com/As-Earth-Turns-Barbara-Berger/dp/B088P7TH37/ref=sr_1_5?dchild=1&keywords=indie+rights&qid=1589918776&s=instant-video&sr=1-5

‘STAR TREK 4’: S.J. CLARKSON BECOMES THE FIRST FEMALE DIRECTOR IN FRANCHISE’S HISTORY

‘Star Trek 4’: S.J. Clarkson Becomes the First Female Director in Franchise’s History

S.J. Clarkson has been tapped to direct Star Trek 4, making her the first female to helm a film in the “Star Trek” franchise.

Paramount Pictures had no comment. The studio announced at CinemaCon in Las Vegas that it was planning a fourth movie with Chris Hemsworth,who appeared as Chris Pine’s father in 2009’s “Star Trek.” Zachary Quinto is also set to return. Paramount is developing another “Star Trek” film from J.J. Abrams and Quentin Tarantino, but sources say it is still being written and would come after the fourth movie.

While details on “Star Trek 4” are vague, sources say a key plot point sees Pine’s character running into his father (Hemsworth) in a time travel ploy.

J.D. Payne and Patrick McKay penned the screenplay. Abrams and Lindsey Weber will produce through Bad Robot Productions, while David Ellison and Dana Goldberg of Skydance Media will executive produce.

The original 2009 reboot “Star Trek” earned $385 million worldwide, while its sequel “Star Trek: Into Darkness” made $467 million globally in 2013. The third, “Star Trek Beyond,” brought in $343 million worldwide in 2016.

Clarkson is best known for her work on the TV scene with shows such as “Dexter,” “Bates Motel,” “Orange is the New Black,” and “Jessica Jones.” She recently directed a handful of episodes for Marvel’s “The Defenders.”

 

‘AVENGERS: INFINITY WAR’ HEADS TO MONSTER $225+ MILLION OPENING WEEKEND

‘Avengers: Infinity War’ Heads to Monster $225+ Million Opening Weekend

Marvel Studios’ AVENGERS: INFINITY WAR..L to R: Thor (Chris Hemsworth), Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel)..Photo: Film Frame..©Marvel Studios 2018

In case you haven’t heard, Avengers: Infinity War  is heading towards an opening weekend that could end all opening weekends.

The Marvel superhero adventure is eyeing a debut weekend of $225 million to $245 million, with a possibility of even crossing the $250 million mark. If numbers reach the end of that range, “Infinity War” could have one of the biggest debuts of all time. The hefty launch should go a long way to justify its wildly expensive price tag of somewhere from $300 million to $400 million.

As of now, the biggest opening weekend of all time belongs to “Star Wars: The Force Awakens,” which bowed with $248 million in 2015 and went on to make over $936.6 million domestically. Only five films in history have hit the $200 million mark in their debuts.

“Infinity War” picks up two years after the events of “Captain America: Civil War” with the Avengers teaming up with the Guardians of the Galaxy to stop the evil Thanos from inter-galactic dominance. The heroic ensemble cast includes Robert Downey Jr.’s Iron Man, Chris Hemsworth’s Thor, Chris Evans’ Captain America, Scarlett Johansson’s Black Widow, Chadwick Boseman’s Black Panther, Chris Pratt’s Star Lord, Benedict Cumberbatch’s Doctor Strange, and Mark Ruffalo’s Hulk.

Joe and Anthony Russo directed from a script by Christopher Markus and Stephen McFeely. “Infinity War,” the sequel to 2012’s “The Avengers” and 2015’s “Avengers: Age of Ultron,” is the 19th film in the Marvel Cinematic Universe.

The original “Avengers” had the highest opening to date for a Marvel film, debuting with $207.4 million. Its sequel, “Age of Ultron,” launched with $191 million. The first movie earned $623 million in North America, while the second made $459 million.

“Infinity War” comes on the coattails of the Disney-owned Marvel’s most recent success, “Black Panther,” which opened to a massive $202 million in February. Ryan Coogler’s tentpole continues to shatter records, and has earned an impressive $1.3 billion worldwide.

Naturally, no other studio considered a wide release for the superhero-intensive weekend. A Quiet Place will likely drop to the No. 2 slot in its fourth frame. The surprise hit, directed by John Krasinski and co-starring Krasinski and Emily Blunt, has made $131 million in North America. Other recent releases, such as Amy Schumer’s “I Feel Pretty” and Dwayne Johnson’s “Rampage” should also see drops as “Infinity War” will presumably gobble up the rest of the box office.

PHILIP MANTLE INTERVIEWS FILM DIRECTOR FRANCIS XAVIER

A NEW ALIEN ABDUCTION MOVIE COMING IN 2019.

Philip Mantle interviews Film Director Francis Xavier.

I’ve been in contact with movie director Francis Xavier for several years now and I was interested to hear that he now had in development a new alien abduction movie. I contacted Francis to see if he was able to talk about his new project and was pleased to hear that he was. Francis was only too happy to give me a few minutes of his time for a quick Q and A session.

 

Q: Who is Francis Xavier, please tell us something about yourself ?

A: Known for his unpredictable, violent films, Writer, Producer, Director Francis Xavier first earned widespread fame for his directorial feature film ‘Barry’s Gift’ before going on to direct the controversial Johnny Come Lately.

 

Born in Baltimore, Maryland in 1962, Xavier moved to California in 2008 to continue his love of making movies during which time he wrote and directed both the psychological thriller Never On Sunday and the award winning horror film Poe. Xavier’s directorial debut came with the award winning feature film Barry’s Gift (2000), for which he won awards for best screenplay and best director at The Greenbelt Film Festival in Maryland, the film was also an official selection at the 2000 Maryland Film Festival in which he was in competition with Oscar winning director Barry Levinson (Rain Man) and director Eduardo Sanchez (Blair Witch Project). Next he would receive widespread critical and commercial acclaim with the controversial psychological thriller Johnny Come Lately (2004). Subsequent features include the trilogy Night Cry (2005), the thriller The Tango Dancer (2006), the award winning urban drama Dodge City (2007), directing Oscar nominee and Golden Globe winning actress Sally Kirkland (Anna/JFK) in the film, The Ear of the Beholder (2008) and writings and directing the psychological thriller Never On Sunday (2009). Xavier earned several awards for the horror film Poe (2012) including best screenplay at the Los Angeles Feature Film and Screenplay Film Festival and winner of the 2012 Screen Actors Guild Roll Film Festival and soon after writing and directing the supernatural thriller Less Than A Whisper (2015), the latter being the director’s latest effort and was an official selection at the 2015 Film-Com event in Nashville, Tennessee. In addition, the filmmaker has directed over 50 commercials including Budweiser and Nestle, 4 short films and 10 music videos including 2 music videos for Taylor Swift’s Cray Cray for Tay Tay merchandise company.

Q: So when did you first get into movies ?

A: Back in the 60’s and 70’s my mother owned a movie theatre in my hometown of Baltimore City, Maryland called The Tower Theatre and from the time I was born I was watching movies because my mother would take me to work with her everyday. I grew up watching many great films there and they loomed larger than life on the big screen for me. Then in 1973 a film would premiere at my mother’s theatre that would change my life forever and would put me on course to make my own. That movie was William Friedkin’s The Exorcist.

Q: How many movies have you worked on so far and in what capacity ?

A: I have written, produced, edited and directed eight feature films, my latest being the supernatural thriller ‘Less Than A Whisper’. I actually play the lead role in the film.

Q: You now have a movie in development with Lark Entertainment based on Robert E. Dunn’s book BEHIND THE DARKNESS. Can you tell us about this project please ?

 

A: I met Robert E. Dunn about 2 years ago when we first discussed his alien abduction novel Behind The Darkness and me possibly writing the screenplay from the novel.  I read the novel and loved it and thought to myself Behind The Darkness would make a great scary film.  Through one seemingly endless night four friends find themselves surrounded, and at the mercy of nameless, unseen aliens. Desperation makes for difficult choices and even more difficult actions as two men learn just who they must be to fight the creatures behind the darkness.

 

What follows is a violent battle for survival that will change everyone forever. Imagine Behind The Darkness as Night of the Living dead with aliens rather than zombies. Behind The Darkness is a survivor story of resistance against impossible odds. I wrote the screenplay and took it to the American Film Market last November. The screenplay is currently in the development department at Lakeshore International.

Q: Have you always been interested in the UFO subject or is this
something new for you ?

 

A: I’ve always been interested in UFOs and aliens. I’m a true believer in the subject and have a missing time story of my own to tell. But that’s a whole different interview. Trust me, it’s my true alien abduction story I will tell someday.

Q: How do you think the UFO community will react to this movie ?

A: I think the community would react rather well with the story and the movie. It’s no secret that the government has been hiding UFO and alien disclosure from us for decades. We are not alone, and I’m living proof of that. Maybe we can do a follow-up interview soon so we can talk about my missing times. Thanks to organizations like MUFON, and people like Dr. Steven Greer, Linda Moulton Howe and also you Philip, to get the word out to the community that we are not alone. I think people would be able to relate to Behind The Darkness because the characters are everyday real people put in a situation unlike any human beings would want to experience. These are not dumb characters. It’s very hard for the government and filmmakers to fool people and an audience these days.

 

Q: Now I know this movie is still in development but when can we
expect to see it released ?

 

A: If everything goes well for the studio development of Behind The Darkness, I can see a release date of late 2019.

Q; Do you have a favorite UFO movie at all ?

 

A: My all time favorite UFO movies are John Carpenter’s ‘The Thing’ and ‘Alien 1 and 2’.

Q: I have to ask this, have you ever had a UFO sighting yourself ?

 

A: Absolutely, many to be exact. My last sighting, witnessing a cluster of UFOs in the daytime in Van Nuys, California in 2009 and I wasn’t alone. They were right over my house until fighter jets appeared and the UFOs just simply disappeared right before our eyes. My 2001 missing time experience was scary enough. But that’s a whole different interview lol.

 

TRAILERS

 

Behind The Darkness Billboard Trailer

I would like to thank Francis Xavier for giving up his time for this Q and A session and would like to take this opportunity to wish him well with all of his new projects.

 

About the author:

Philip Mantle is a long standing UFO researcher and author from the UK. He was formerly the Director of Investigations for the British UFO Research Association and the MUFON Representative for England. He is the founder of FLYING DISK PRESS

STEVEN SPIELBERG’S ‘READY PLAYER ONE’ CROSSES $500 MILLION WORLDWIDE

Steven Spielberg’s ‘Ready Player One’ Crosses $500 Million Worldwide

Steven Spielberg’s latest film, Ready Player One has earned more than $500 million for Warner Bros. around the globe, with a large portion emanating from China.

Ready Player One is also now the 10th-largest Chinese grosser for Warner Bros, earning more than $200 million from the country. The action-sci fi’s opening marked Warner Bros.’ largest ever in the nation with $61 million. On top of the earnings from China, the film has taken in another $179 million from foreign markets. It opened in Japan this weekend, completing its international rollout.

Domestically, “Ready Player One” has brought in more than $120 million.

Tye Sheridan stars in the film alongside Olivia Cooke, Ben Mendelsohn, Lena Waithe and T.J. Miller. Zak Penn and Ernest Cline wrote the script, based on Cline’s bestselling novel of the same name. Sheridan plays a young man living in 2045 Ohio who also leads a dual life in the virtual reality game Oasis, where many find respite from a difficult reality in a second life.

The film was produced by Donald De Line, Kristie Macosko Krieger, Spielberg and Dan Farah. Adam Somner, Daniel Lupi, Chris deFaria and Bruce Berman served as executive producers.

Spielberg became the first director whose films’ grosses topped more than $10 billion earlier this week, with “Ready Player One” marking the director’s highest-grossing film of the last 10 years. Not adjusted for inflation, Spielberg’s biggest earner was 1993’s “Jurassic Park” with $983.8 million globally.

‘DEADPOOL 2’ FINAL TRAILER DIGS AT DC UNIVERSE

‘Deadpool 2’ Final Trailer Digs at DC Universe

Ryan Reynolds’ Deadpool is forming a “super duper f—ing group” in 20th Century Fox’s final trailer for Deadpool 2

The action-packed footage, released Thursday morning, sees the Merc with a Mouth coming together with Zazie Beetz’s Domino and T.J. Miller’s Weasel to defeat the powerful Cable, played by Josh Brolin.

Deadpool doesn’t miss the opportunity to poke fun at Brolin’s villainous double-duty this summer in both Deadpool 2 and “Avengers: Infinity War.” (“Pump the hate breaks, Thanos,” he prods.)

Later, Cable calls Deadpool “a clown dressed up as a sex toy,” to which he responds, “So dark — are you sure you’re not from the DC universe?”

The new trailer also introduces audiences to Peter, who is looking to join Deadpool’s coveted X-Force team.

So what is his superpower? “I don’t have one,” the character, played by Rob Delaney, tells Deadpool and Weasel. “I just saw the ad.”

The superhero sequel — also staring Brianna Hildebrand, Morena Baccarin, Leslie Uggams, and Stefan Kapicic — follows Deadpool’s team of mutants as they protect a young boy (Julian Dennison) from Cable.

David Leitch directed the film from a script by Rhett Reese, Paul Wernick, and Reynolds. The original film went on to gross $783 million worldwide, making it the highest-grossing R-rated movie of all time.

“Deadpool 2” hits theaters on May 18. Watch the trailer above.

 

NETFLIX Q1 PREVIEW: ANOTHER BLOCKBUSTER QUARTER DESPITE PRICE HIKES?

Netflix Q1 Preview: Another Blockbuster Quarter Despite Price Hikes?

When Netflix reports first-quarter 2018 earnings Monday after market close, investors again will laser in not on revenue or profits — but on the number of net adds, a key indicator of the subscription streamer’s momentum.For Q1, Wall Street analyst consensus estimates are for 1.48 million net streaming U.S. subscriber adds, and 4.84 million internationally. That’s roughly in line with what Netflix’s forecast in January (1.45 million domestically and 4.90 million internationally).

The expected strong showing comes after Netflix raised the price of its streaming plans in the fourth quarter of 2017 for customers in multiple territories, a demonstration of its relative pricing power. In the U.S., for example, the standard two-stream HD plan rose from $9.99 to $10.99 per month,  still a great value, analysts observed.

“A steady stream of new content introduced throughout Q1 likely mitigated churn associated with higher pricing on standard and premium plans,” Wedbush Securities’ Michael Pachter wrote in a note issued last week.

Analyst consensus estimates for Netflix Q1 see revenue of $3.89 billion and earnings per share of 64 cents. Investors remain upbeat on the company, even as it doubles down on its heavy content-spending strategy (with content expenditures of up to $8 billion this year, vs. $6 billion in 2017).

Netflix’s cash burn (negative free cash flow) is expected to increase from $2 billion in 2017 to $3 billion for the full year 2018, Goldman Sachs’ Heath Terry wrote in a note last week. Terry raised his price target on the stock, from $315 to $360 per share, citing a strong originals slate, new distribution partners  and returns from increased marketing spending.

Over the past eight quarters, Netflix has on average topped its total net subscriber addition guidance by around 950,000, mostly on stronger-than-expected international additions, Pachter noted. However, a year ago, Netflix turned in subscriber metrics slightly below forecasts, delivering 4.95 million inQ1 2017

Is Netflix poised for a Q1 2018 beat? Thanks to its continued growth — and bullish analyst forecasts — Netflix’s stock is up 62% year to date, besting nearly every other company on the S&P 500 and outperforming the other stocks in the FAANG (Facebook, Amazon, Apple, Netflix, Alphabet/Google) cohort tracked by Wall Street.

Netflix has “an increasingly robust content slate,” Cowen & Co.’s John Blackledge wrote in a Q1 earnings preview. He estimated Netflix released some 483 hours of U.S. original programming in the first quarter, up 85% from a year earlier.

In the first quarter, Netflix debuted 18 new original series, including 11 returning series, and 14 new original movies. Those included season 2 of “Marvel’s Jessica Jones” and sci-fi series “Altered Carbon.”

But Netflix currently has a weaker originals lineup going into Q1, with nine original series (five returning and four new series), including “Lost in Space” and second seasons of “Dope,” “3%,” and “Marvel’s Luke Cage.”

Wall Street expects 5.2 million net streaming adds in Q2 2018, but that “may be on the high side,” RBC Capital Market’s Mark Mahaney wrote in a note. He cited “what doesn’t clearly appear to be a rock-star spectacular Q2 new content slate” as well as typically weak Q2 seasonality and “tough comps” with Netflix’s huge beat in the second quarter of 2017.

Two wildcards on Netflix’s Q2 content performance remain, according to UBS’s Eric Sheridan: When season 2 of popular teen drama “13 Reasons Why” will be released and whether Netflix “is enjoying success in its local-language content initiatives outside of North America,” he wrote in an April 11 note.

In addition, Netflix’s newly expanded deal with Comcast — under which the cable operator will bundle Netflix service with new and existing TV packages — could give Netflix a boost in Q2, which is historically weak for subscriber additions.

Meanwhile, Wedbush’s Pachter pointed to Netflix’s potential longer-term risk from losing content-licensing deals. It’s worth noting that the bulk of the viewing on the platform remains generated by licensed TV shows and movies — with licensed content estimated to account for 80% of Netflix’s U.S. streams for the 12 months ended September 2017, per a study by 7Park Data.

“[T]he combination of less content from Disney (pulling the majority of its newer content at the end of 2018) and a steady migration of Comcast, Time Warner, and 21st Century Fox content towards exclusive deals with Hulu will ultimately lead to lower subscriber satisfaction,” he wrote.

R. LEE ERMEY, ‘FULL METAL JACKET’ GOLDEN GLOBE NOMINEE, DIES AT 74

R. Lee Ermey, ‘Full Metal Jacket’ Golden Globe Nominee, Dies at 74

No Merchandising. Editorial Use Only. No Book Cover Usage.
Mandatory Credit: Photo by Moviestore/REX/Shutterstock (1635983a)
The Texas Chainsaw Massacre, R Lee Ermey
Film and Television

R. Lee Ermey, best known for his Golden Globe-nominated portrayal of Gunnery Sergeant Hartman in “Full Metal Jacket,” has died. He was 74.

Ermey’s longtime manager announced the news via a tweet to Ermey’s official Twitter account.

“It is with great sadness that I regret to inform you all that R. Lee Ermey (‘The Gunny’) passed away this morning from complications of pneumonia. He will be greatly missed by all of us,” the tweet reads.

In addition to his role in Stanley Kubrick’s Oscar-nominated film, which earned him a best supporting actor Golden Globe nod, Ermey had several other mostly authority figure roles to his credit, including Sheriff Hoyt in 2003’s “The Texas Chainsaw Massacre,” a police captain in “Se7en,” and the voice of the plastic army men’s

Ermey was a former United States Marine Corps staff sergeant and honorary gunnery sergeant, and served as a drill instructor during his tenure from 1961-1972. He was stationed in Okinawa, Japan for one year until 1968, when he was moved to Vietnam and spent 14 months in country.

His first film role occurred when he was studying in the Philippines, and he played a First Air Cavalry chopper pilot in “Apocalypse Now,” also serving as a technical adviser to Francis Ford Coppola. He had a series of other small roles until his casting in 1987’s “Full Metal Jacket.”

Ermey was originally meant to function only as a technical adviser to Kubrick, but when Kubrick was impressed by an instructional tape Ermey put together in which he went on long rants at extras, he instead cast him in the role of Gunnery Sergeant Hartman. Kubrick allowed Ermey to improvise and write or edit his dialogue, and he said Ermey often only needed two or three takes to finish a scene — both unusual for Kubrick films.

All told, Ermey had roles in some 60-plus films, as well as several voice credits, including “The Grim Adventures of Billy & Mandy,” “SpongeBob SquarePants,” “The Simpsons,” and “Family Guy.”

On top of his voice acting, he hosted two programs for the History Channel: “Mail Call,” in which he provided expertise on military issues, both modern and historic, and “Lock N’ Load with R. Lee Ermey,” which focused on the development of different types of weapons.

R. Lee Ermey

@RLeeErmey

Statement from R. Lee Ermey’s longtime manager, Bill Rogin:

It is with deep sadness that I regret to inform you all that R. Lee Ermey (“The Gunny”) passed away this morning from complications of pneumonia. He will be greatly missed by all of us.

Semper Fi, Gunny. Godspeed.

‘RAMPAGE’ SNEAKS UP ON ‘A QUIET PLACE’ TO WIN WEEKEND BOX OFFICE

‘Rampage’ Sneaks Up on ‘A Quiet Place’ to Win Weekend Box Office

No Merchandising. Editorial Use Only. No Book Cover Usage
Mandatory Credit: Photo by Warner Bros/Kobal/REX/Shutterstock (9627975a)
Dwayne Johnson
“Rampage” Film – 2018

After a weekend of fluctuating projections, Dwayne Johnson (just barely) owned the North American box office after all.

Though earlier estimates looked like the second frame of  A Quiet Place would take the weekend, Johnson’s Rampage  snuck up to take the top slot with $34.5 million from 4,101 theaters.

New Line Cinema and Warner Bros.Rampage opened under initial predictions  that estimated between $37 million to $40 million. Though the sci-fi actioner has an impressive A- CinemaScore and 80% audience approval on Rotten Tomatoes, “Rampage” will need to rely heavily on overseas to carry its costly $120 million budget.

Still, its opening was enough to just narrowly take the box office crown from A Quit Place” which earned $32.9 million in 3,589 locations. “A Quiet Place” has been riding high with rave reviews only dropping 34%. That brings its cumulative domestic gross to an impressive $100 million.

Also benefitting from the Friday the 13th weekend was Universal and Blumhouse’s Truth or Dare starring Lucy Hale and Tyler Posey. The supernatural thriller debuted in third place with $19 million from 3,029 theaters.

“This is an outstanding debut considering the competitive landscape,” Jim Orr, head of domestic distribution at Universal, said. “For original horror, Blumhouse has define the genre for many years. They built a model that is just terrific.”

The third frame of Steven Spielberg’s “Ready Player One” made $11 million from 3,661 locations, lifting its domestic gross to $114.5 million.

Rounding out the top five is the sophomore weekend of Universal’s “Blockers.” Kay Cannon’s raunchy comedy starring John Cena, Leslie Mann, and Ike Barinholtz took in $10 million from 3,418 locations. In total, the pic has made $37 million.

The wide release of Wes Anderson’s “Isle of Dogs” made $5 million from 1,939 locations. The stop-motion animated film, which has grossed $18.5 million, opened in limited release at the end of March with the best per screen average of 2018 to date.

Another newcomer, Entertainment Studios’ canine-themed “Sgt. Stubby: An American Hero,” made $1.1 million in 1,633 locations. Directed and co-written by Richard Lanni, “Sgt. Stubby”  features the voices of Logan Lerman, Helena Bonham Carter and Gerard Depardieu.

The 2018 box office is down 2.4% compared to 2017. The same weekend last year, where “The Fate of the Furious” opened with $98.8 million, is down 15.5%